From militant strikes to anti-communist purges: the Grand Rapids labor movement after WWII

In previous articles we have looked at the fight for an 8 hour work day in Grand Rapids, the 1911 Furniture Workers Strike and the impact that the 1936-37 Flint Wildcat Strike had on Grand Rapids organizing efforts.

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Each of these examples of labor organizing in Grand Rapids continued to build upon the growing push for workers to join unions. After the UAW and the CIO began organizing in Grand Rapids, union membership grew significantly. However, union leadership at the national level cut a deal with business leaders and the Roosevelt administration and agreed to not strike while the US was involved in World War II.

Despite the no-strike pledge, union membership in the US grew from 7.2 million in 1940 to 14.5 million at the end of WWII. However, the strikes began almost the moment that the bombs stopped dropping on Japan. In September 1945, 43,000 petroleum workers and 200,000 coal workers struck. In October 44,000 lumber workers, 70,000 teamsters, and 40,000 machinists joined them.

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Then in November 1945, the UAW called its first major strike against GM since the company was unionized in 1937. Nearly a quarter of a million men walked out. In Grand Rapids, this same dynamic began where workers who had years of frustrations during the no-strike pledge of WWII began to challenge the capitalist class by engaging in walk outs and strikes.

In 1946, workers at the UAW Local 730 at the GM plant in Wyoming, Michigan were part of the national UAW strike that lasted for 113 days. (see photos above and below, sourced from The Story of the UAW Region 1-D) The UAW striking workers were fighting for better wages, pensions and improved working conditions, all of which were denied them during the no-strike pledge during WWII.

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With the growing labor unrest and increased militancy of workers in the US, the capitalist class decided to fight back. In response to the growing influence of labor unions, Congress passed in 1947 the Taft-Hartley Act. It prohibited jurisdictional strikes, secondary boycotts and “common situs” picketing and closed shops. The law became known as the “slave-labor bill” in union circles.1947

However, the Taft-Hartley Act was not the only tool that business owners used to undermine unions after WWII. There was a growing interest to attack and expose anyone connected to the Communist Party and those who embraced more radical ideals. This political tactic led to what became known as Red-baiting and eventually McCarthyism.

Beginning after WWII, communism now became the new boogeyman and ushered in the Cold War era.

Many people know about the blacklisting that took place with actors, directors and script writers in Hollywood, but less is known about the purges that took place in organized labor.

According to Michael Johnston’s thesis, Non-Union Grand Rapids: 150 Years of the Big Lie, Grand Rapids unions also participated in the “red scare.”

The earliest doctrinal battles of the Cold War years were fought out in Grand Rapids, beginning in late June of 1946. Fred Bonine, president of UFWA Local 415, joined with other locals from around the country in issuing a national resolution calling upon locals across the country to “divorce” themselves from the “communist wing of their union.”Step_by_step_greene

Bonine led his local out of the CIO and into the Upholsters of the AFL. As one of the largest unions in the area, and one of the largest unions in the entire UFWA, this Cold War red baiting and raising took on national significance.

The Kent County CIO Industrial Union Council was caught in the middle. In spite of the reputation as a conservative city, the CIO Industrial Union Council urged the local to “remain in the CIO to fight the reds.”

Johnston goes on to write:

The UAW used the red scare to raid the American Seating Company unit of UFWA Local 415. It began a protracted, bitter campaign to decertify the Communist influenced union. After two NLRB elections, the UAW finally ousted the furniture workers replacing it with UAW Local 135, chartered March 14, 1949. The UAW also raided the UE local at the York Band Instrument Company chartering a local there on January 19, 1950.

Thus, it was clear that the business class would use any means necessary to undermine the militancy of organized workers, both through legislation and by questioning their loyalty to the nation. This period of Grand Rapids and US history was the beginning of the decline of unions and organized labor, a decline that continues to this day.

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Artwork highlights a People’s History in Grand Rapids – Print #9 – Gentrification as modern day colonialism

Christi.Poster.2016

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

This print was created by Christi Wiltenburg. It communicates the idea that the current manifestations of gentrification are a form of modern day colonialism. One could certainly argue that the forceable relocation of indigenous people from what is now Grand Rapids, was a form of gentrification. 

Other examples of gentrification that we have seen in Grand Rapids, was the displacement of thousands of people when the highways were built through town, plus multiple examples of “urban renewal,” resulting in displacement of people in the Belknap area  and in the East Hills neighborhood

Gentrification as the new colonialism is also happening today in Grand Rapids, as is evidenced in numerous development projects, where displacement of working class people and communities of color is taking place, like the Coit Square project. 

Christi.Poster.2016

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Artwork highlights a People’s History in Grand Rapids – Print #8 – Milt Ford, founder the the LGBT Resource Center at GVSU

McBrydeB.Poster.2016

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

This print was created by Brianne Freundt. The print was inspired by the life and work of the founder of the GVSU LGBT Resource Center, now named the Milton E. Ford LGTB Resource Center.

Here is an excerpt from an interview with Milt Ford, taken from the Grand Rapids LGBTQ People’s History Project.  You can also watch the full interview with Milt Ford at this link and watch the film on the Grand Rapids LGBTQ movement.

McBrydeB.Poster.2016

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Artwork highlights a People’s History in Grand Rapids – Print #7 – African American Community responds to Red-lining with Auburn Hills Project

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

BruceJ.Poster

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The seventh print we feature is from Jasmine Bruce. This print was inspired by the organized actions from a group of African Americans in the early 1960s to purchase land for a housing development project. This action was a direct response to the racist practice of Red-Lining that took place in Grand Rapids and all across the country. 

Todd, Robinson, in his seminal book on Grand Rapids, A City Within a City: The Black Freedom Struggle in Grand Rapids, Michigan, writes about the importance of what happened with the Auburn Hills housing project in the early 1960s.

“The initiative by the four men boldly defied the dominance of segregated suburban space and facilitated the passage of the Fair Housing Ordinance on December 23, 1963. Their efforts represented one example of a stable integrated suburban neighborhood in Grand Rapids.”

BruceJ.Poster

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Artwork highlights a People’s History in Grand Rapids – Print #6 – The Anti-Nuclear Movement in Grand Rapids

Songer.L.2016

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The sixth print we feature is from Linnea Songer. Songer’s print was inspired by an article posted from August 2014 on the Grand Rapids People’s History site about an anti-nuclear action that took place in downtown Grand Rapids in 1985 to commemorate the anniversary of the US bombing of Hiroshima. The action, depicted in the print, demonstrated that many of those at Ground-Zero in Hiroshima only had the outline of their bodies left, since people were incinerated.

Songer.L.2016

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Artwork highlights a People’s History in Grand Rapids – Print #5 – Marian Clements, founder of Well House

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.TannirC.Poster.2016

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The fifth print we feature is from Courtney Tannir. This print was inspired by the incredible witness and work of Marian Clements, the founder of Well House. Clements, who grew up in West Michigan, had struggled with mental health for much of her life. Marian was even institutionalized at one point, but eventually came to stay at a Quaker-run house in Grand Rapids that practiced what they called “radical hospitality.”

Radical hospitality is different from most homeless shelter work, where people opened their homes to people experiencing homelessness and allowed people to stay as long as they needed. People might stay just a few days, several months, or sometimes they became community members.

The house that Marian started in 1979 was purchased for just a few hundred dollars. The focus of the house was not only radical hospitality, but simple living and a deep commitment to non-violent activism. Eventually, Marian acquired a second house in the neighborhood and then a third, before she was diagnosed with cancer and died in 1997. Well House continues to work with those experiencing homelessness today. 

TannirC.Poster.2016

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Artwork highlights a People’s History in Grand Rapids – Print #4 – Hendrik Meijer and Anarchism

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.Cargill.K.Poster

The fourth print we feature is from Kenzie Cargill. This print brings attention to the fact that for part of his life, the founder of Meijer stores, Hendrik Meijer, embraced Anarchism. The print by Cargill, was inspired by a zine created by Grand Rapids Anarchists distributed through Sprout Distro. Here is an excerpt from that zine on Hendrik Meijer:

After immigrating to the United States, Hendrik Meijer moved to Holland, Michigan. Holland had been settled by conservative Dutch immigrants who had seceded from the Dutch Reformed Church, outraged over what they perceived as a more liberal direction being taken by the Church. It was a conservative community with businesses closed on Sundays, regular church attendance expected, and pride in both Old Dutch traditions and the United States. A Holland

newspaper from around the time of Meijer’s arrival wrote, “We will not accept socialism, with its unworkable demands! Still less anarchism, with its wild dreams and demonic tools!”

Despite an environment hostile to radical views, Meijer involved himself in the socialist community that existed. He joined a socialist group within a few weeks of immigrating. Through that group, he met three anarchists like himself who formed their own group and set to work producing anarchist pamphlets. Despite its conservative nature, their group regularly had as many as 12-15 people in attendance and socialist speakers often passed through Holland. The group held its meetings on Sundays—a perhaps deliberate affront to the majority of Hollanders who believed in attending church and doing no work on Sundays. The group may have been called the “Modern Sons of Marx” although his biographer is unsure. During this period he also organized a memorial in Holland on the Haymarket anniversary and tried to get involved with a socialist newspaper. Letters from him describing the Dutch immigrant experience in West Michigan were also published in Recht door Zee, a Dutch anarchist newspaper. When Hendrik Meijer’s partner Gezina Mantel finally came to the U.S., the couple specifically chose to get married on November 11, 1912—the anniversary of the executions of the Haymarket anarchists.

This narrative of Meijer is not widely known and for good reason. The Meijer family, who are some of the wealthiest in the state, would not want the fact that their grandfather embraced for a time, both socialism and anarchism.  To read the entire zine from Sprout Distro, click here

Cargill.K.Poster

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Artwork highlights a People’s History in Grand Rapids – Print #3 – People First!

VolmarB.Poster.2016

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The third print we feature is from Betsy Volmar. This print not only honor’s the disability rights movement, it honors a Grand Rapids activist, Clark Goodrich. Clark is the founder of the ADAPT chapter in Grand Rapids and in January of this year, the Grand Rapids People’s History Project did an interview with Clark

This print is a fabulous tribute to Clark Goodrich and all the disability rights activists around the world.

VolmarB.Poster.2016

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Artwork highlights a People’s History in Grand Rapids – Print #2: White Lies

Rachel.Poster.2016

This past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The second print we feature is from Rachel Szegedy. This print, entitled White Lies, highlights the reality of White Settler Colonialism that is the foundation of history in West Michigan since the 1820s. Szegedy’s print is based on the theme of White Lies and several of the articles from the Indigenous Resistance section, such as More White Lies: Grand Rapids and Settler Colonialism and The Role of Church & State in Native Displacement in West MI : Settler Colonialism in Grand Rapids Part II

In addition, in our section on Lies Across Grand Rapids, which looks at historic markers in the area, we address several statues that build on the theme of White Lies, especially the statue of Catholic Bishop Baraga and the statue at GVSU’s downtown campus dedicated to Chief Noonday. 

Below is Rachel Szegedy’s print, White Lies.

Rachel.Poster.2016

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Artwork highlights a People’s History in Grand Rapids – Print #1 – The Laker Effect

SorgC.Poster.2016

The past semester, art students in Brett Colley’s class on printmaking, invited me to come talk about the Grand Rapids People’s History Project. The intent of the class was to have students investigate their own part of a People’s History of Grand Rapids and then make a print based upon an individual, social movement or a particular moment in history.

What we will be sharing from here on out over the next several weeks, are the result of what these students created, based on their own investigation or based on previous posting from the Grand Rapids People’s History Project. We are excited to have these newly created visuals to compliment the rich history of social movements from the resistance to white settler colonialism all the way up to the present.

The first print we feature is from Corey Sorg. This is a contemporary print that both pokes fun at the more recent marketing campaign from Grand Valley State University and challenges the gentrifying role that the university expansion has in Grand Rapids. A recent article from the If The River Swells is the best analysis we have seen on the gentrifying impact by GVSU, particularly in the Belknap neighborhood. The article points out that the role that GVSU has played, in addition to demolishing homes, created larger opportunities for private developers to radically alter the future of the neighborhood.

Gentrification’s impact on neighborhoods and communities has a long history in this area, with the early Settler Colonialism along the Grand River to the construction of the highways that run through Grand Rapids.

SorgC.Poster.2016

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